Gounod's complete works for pedal piano and orchestra is not something the musical worls has been waiting for with bared breath. Yet, lile an item in one of those gift cataloggues full of things you never knew existed but suddenly seem essential, it proves to be a real winner. It is also among the jolliest of piano-and-orchestra recording to come my way for some time. [...] Hyperion's cast is top-drawer. The Concerto (1889) is a charmer with an especially touchin, Schubertian slow movement, beautifully pòayed by Prosseda. The finale and the 1888 Danse Roumaine give the hands and feet plenty to do. Given exactly the right light touch and deft execution, abetter by Howard Shelley's stylish accompainment, Gounod's box of bonbons is an unexpected delight.