Mendelssohn Complete Piano Works
"This is the finest set of Mendelssohn’s Songs without Words now available"
Classic FM
In 2017 Decca published the 10-CD Box "Mendelssohn Complete Piano Works”. The recordings (2005-2014) include 59 World Premieres.
Piano-pédalier
"Playing Heart, Soul and Feet"
"Italian pianist Roberto Prosseda revives a lost art, recreating the haunting melodies of a pedal piano"
Corinna Wollheim, The Wall Street Journal
Corinna Wollheim, The Wall Street Journal
Mendelssohn's Piano Concertos
Since his 2009 debut with the Gewandhaus Orchestra and Riccardo Chailly, Roberto Prosseda performed all Mendelssohn Piano Concertos with more than 50 orchestras. In September 2017 he recorded Mendelssohn’s piano concertos for Decca, with the Residentie Orkest and Jan Willem de Vriend.
iMendelssohn
iMendelssohn is an informative tool dedicated to the German composer Felix Mendelssohn (1809 - 1847). It is the first app that provides such a wide range of information about a classical composer. It presents the full catalogue of Mendelssohn's works, based on the new catalogue by Ralf Wehner (published by Breitkopf in 2009), a wide selection of Mendelssohn's letters and a selected biography and discography. Several facsimiles of music manuscripts, paintings and handwritten letters are also included.
Mozart Complete Piano Sonatas
In 2016 Decca released the first 2 CDs of Prosseda's complete recording of Mozart's Piano Sonatas. It is the first recording of Mozart Sonatas with a non-equal temperament on a modern piano.
The second album (CD 3-4) is being released at the end of 2017.
"A recording which has to become a new reference”. Ingo Harden, Fono Forum
The second album (CD 3-4) is being released at the end of 2017.
"A recording which has to become a new reference”. Ingo Harden, Fono Forum
TeoTronico
What is the difference between music reproduction and interpretation?
In this unique project, a human pianist, Roberto Prosseda, challenges a robot-pianist, TeoTronico. Prosseda and TeoTronico will also discuss and debate their own performances, commenting and criticizing each other, in order to stimulate a better perception of the music from the audience.
